Spotify’s pandemic boost may be peaking.
The Swedish audio-streaming giant posted stronger-than-expected subscription growth in the fourth quarter of 2020 as more listeners tuned into music and podcasts from home amid the coronavirus pandemic. Still, the company offered a conservative outlook for the current year as new sign-ups could ebb.
fell 9% Wednesday morning in New York to $315.
The pandemic proved to be a boon for streaming content as lockdowns across the world had consumers turning to screens and smart speakers for entertainment.
“In a way it’s been one of the most interesting social experiments I’ve ever seen in real time with a billion-plus people overnight changing pretty much everything about their habits,” Spotify Chief Executive
said in an interview. “Assuming Covid is beyond us in the latter part of 2021, what’s going to happen to consumption then? Are people going to travel? What habits are changing? That’s a massive amount of uncertainty to have consumers’ attention now competing with all other forms of things they could be doing with their time.”
The disruption in listening habits and consumption “caused us to pull forward subscribers across the back half of 2020, which makes it hard to predict if we’ll drive the same subscriber growth in the year ahead,” Mr. Ek said on a call with investors.
At the end of the fourth quarter, Spotify had 345 million monthly active users, hitting the high end of its guidance, an increase of 27% from the same period a year ago. Paying subscribers, its most lucrative type of customer, grew to 155 million, up 24% from the same period a year ago, and topping expectations.
Average revenue per user for the subscription business fell 8% to €4.26, the equivalent of $5.13, from a year ago, as the company continued to attract new subscribers via discounted plans and charge lower prices in new markets such as India and Russia. In October, Spotify raised the price of its family plan in seven markets, a move the company said didn’t affect churn or customer intake. In February, it expanded price increases to another 25 markets, including in Europe, Latin America and Canada.
Revenue from subscriptions rose 15% from the year before, to €1.89 billion. Advertising revenue grew for a second consecutive quarter after sliding in the first half of the year amid pandemic headwinds, jumping 29% to €281 million. Advertising, historically less than 10% of Spotify’s top line, accounted for 13% of revenue. It has become a growth area as the company expands its podcast business.
The company said it now has 2.2 million podcasts available on its service, and consumption hours nearly doubled from the prior-year quarter. During the period, 25% of its monthly active users listened to a podcast, up from 22% in the previous quarter. In December, “The Joe Rogan Experience,” which arrived on Spotify in September, became exclusive to the service. It is the No. 1 show in 17 markets, and has helped bring in new users as well as attract first-time podcast listeners, the company said.
“We do believe Joe Rogan has contributed positively to user growth,” said finance chief
on the investor call.
Spotify may soon be facing competition from bigger rivals, with
ramping up its commitment to podcasts with its purchase of Wondery, and
exploring a subscription service for podcasting.
Mr. Ek said the interest validates Spotify’s early move into the space, and said the focus going forward is on ramping up production through the studios it’s already acquired. He also said Spotify will commit to making money on podcasts not just through advertising, but through subscription and a la carte payment as well.
“We’re in the early days of seeing the long term evolution of how we can monetize audio on the internet,” he said. “I don’t think it’s one size fits all and you’ll have all these models.”
In music, sponsored recommendations—a cornerstone of Spotify’s “two-sided marketplace,” where it charges artists and labels for marketing on the service—increased 50% from the prior quarter. Billings rose 82% thanks to campaigns promoting albums by Bad Bunny, Taylor Swift and Trippie Redd.
Overall revenue for the quarter rose 17% to €2.17 billion, in line with guidance.
The company posted a loss of €125 million, or 66 European cents a share, compared with a loss of €209 million, or €1.14 a share, the year before. While Spotify has periodically reported a quarterly profit, executives have said it would continue to give priority to growth—attracting new subscribers and investing in podcasting.
Free cash flow—a measure of the cash a company generates from operations, and viewed by many investors as a proxy for performance—was €74 million, down from €169 million in the previous year’s period, in part due to higher podcast-related payments.
For the first quarter of 2021, the company forecast monthly active users to grow to between 354 million and 364 million, and premium subscribers to increase to between 155 million and 158 million. It said it expects to generate revenue of €1.99 billion to €2.19 billion.
For this year, Spotify said it expects to grow its monthly active users to 407 million to 427 million, and grow its premium subscribers to 172 million to 184 million. It forecast revenue growth between €9.01 billion and €9.41 billion. Analysts were looking for €9.57 billion. If Spotify reaches the high end of its expectations this year, the guidance represents year-over-year subscription growth of 19%, a slower rate than last year’s 25% increase.
Mr. Ek said it’s difficult to forecast how Spotify will perform when introducing the service to new markets—most recently South Korea, following debuts in India and Russia. While the company tends to be conservative with those estimates, it leaves the potential to outperform, he said.
“When I look at the future slate of originals and exclusives, that is a massive unknown but a massive potential upside too,” said Mr. Ek. “What happens when we have hundreds of shows exclusive? Those things compound.”
News Corp’s Dow Jones & Co., publisher of The Wall Street Journal, has a content partnership with Spotify’s Gimlet Media unit.
Write to Anne Steele at [email protected]
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